Goodnight Desdemona (Online Viewing)
When
Runs from
Thursday February 10 2022
to Saturday February 12 2022
Approximate running time: 1 hour and 30 minutes
Venue
Play Notes
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GOODNIGHT DESDEMONA (GOOD MORNING JULIET)
ONLINE VERSION available February 10th to 12th, 2022
By Ann-Marie MacDonald
Show times: Evenings starting at 6:00pm, Patrons have 48 hours to start the video, at your convenience
Tickets (one per household or Device): $20
Season Ticket Holders: $16 (or One Flex Pass Ticket)
This production will be presented Online. Connection Details will be shared the day of the performance by Email (1 hour prior to showtime). For the Online Performance it is best viewed from a Computer or Tablet capable of playing videos.
THE VIDEO WILL BE AVAILABLE FOR A SINGLE VIEWING FOR 48 HOURS FROM THE SELECTED SHOW TIME.
In-Person viewing options are also available.(*You have currently selected the ONLINE option, please ensure you have chosen the appropriate performance option
Goodnight Desdemona (Good Morning Juliet) is an exuberant comedy and feminist revisioning of Shakespeare’s Othello and Romeo and Juliet. It takes us from a dusty office in Canada’s Queen’s University, into the fraught and furious worlds of two of Shakespeare’s best-known tragedies, and turns them upside-down. Constance Ledbelly is the beleaguered “spinster” academic, and unlikely heroine who embarks on a quest for Shakespearean origins and, ultimately, her own identity. When she deciphers an ancient and neglected manuscript, Constance is propelled through a very modern rabbit hole and lands smack in the middle of the tragic turning points of each play in turn. Goodnight Desdemona (Good Morning Juliet) is a gender-bendy, big-hearted and crazily intelligent romp, where irony and anger sing in perfect harmony with innocence and poignancy.
This video recording was produced by Morpheus Theatre. All rights reserved. This performance is authorized for private, in-home use only. By viewing the video recording, you agree not to authorize or permit the recording to be downloaded, copied, distributed, broadcast, telecast or otherwise exploited, in whole or in part, in any media now known or hereafter developed.
ONLINE VERSION available February 10th to 12th, 2022
By Ann-Marie MacDonald
Show times: Evenings starting at 6:00pm, Patrons have 48 hours to start the video, at your convenience
Tickets (one per household or Device): $20
Season Ticket Holders: $16 (or One Flex Pass Ticket)
This production will be presented Online. Connection Details will be shared the day of the performance by Email (1 hour prior to showtime). For the Online Performance it is best viewed from a Computer or Tablet capable of playing videos.
THE VIDEO WILL BE AVAILABLE FOR A SINGLE VIEWING FOR 48 HOURS FROM THE SELECTED SHOW TIME.
In-Person viewing options are also available.(*You have currently selected the ONLINE option, please ensure you have chosen the appropriate performance option
Goodnight Desdemona (Good Morning Juliet) is an exuberant comedy and feminist revisioning of Shakespeare’s Othello and Romeo and Juliet. It takes us from a dusty office in Canada’s Queen’s University, into the fraught and furious worlds of two of Shakespeare’s best-known tragedies, and turns them upside-down. Constance Ledbelly is the beleaguered “spinster” academic, and unlikely heroine who embarks on a quest for Shakespearean origins and, ultimately, her own identity. When she deciphers an ancient and neglected manuscript, Constance is propelled through a very modern rabbit hole and lands smack in the middle of the tragic turning points of each play in turn. Goodnight Desdemona (Good Morning Juliet) is a gender-bendy, big-hearted and crazily intelligent romp, where irony and anger sing in perfect harmony with innocence and poignancy.
This video recording was produced by Morpheus Theatre. All rights reserved. This performance is authorized for private, in-home use only. By viewing the video recording, you agree not to authorize or permit the recording to be downloaded, copied, distributed, broadcast, telecast or otherwise exploited, in whole or in part, in any media now known or hereafter developed.